He directed his cast perfectly, as every single performance - including the adorable little girl(s), was perfect. Caruso nail it with his excellent camera work in his shots, angles and color choices in the cinematography. There's nothing really unique about this film for it's genre, but wow did director D. Overall I'd give this a 7.2 rating! I look forward to seeing more from Daily Wire. They were so good together! Sammy was perfectly creepy, and Rob was a good, deranged addict. The actresses who played Jessica and the lil daughter Lainey brought tears to my eyes. Just real!! With conservative ideals and God given moralityĪt its core!! The character of Jessica goes through a kind of redemption story throughout this picture. What will Jessica do to get out and protect her children? This movie is not a big budget pucture, but I certainly want to see a lot more like it! Not fancy. He and Sammy steal her purse and car keys, and leave the house with Jessica trapped and the small children unattended. So, without a thought of his childrens safety, Rob throws Jessica back into the pantry and locks her in. This angers Rob, and he decides to leave Jessica in the same place he found her. Jessica asks Rob and his sleazy friend Sammy to leave. Rob then inquiries about whether Jessica's Nana left her any money. Laughing about his ex-wife's predicament, Rob gets her out of the pantry. Then suddenly, Rob shows up (with a fellow junkie named Sammy). She tries to get Lainey to unlock the pantry door, but to no avail. The house is in the middle of nowhere, with the closest neighbor miles away, so Jessica is up the creek. The movie starts with Jessica trying diligently to pack up everything from her Nana's house, when she accidentally locks herself in the pantry. He resents Jessica for getting and staying clean. Jessica's ex-husband Rob, the father of her two kids, is still an addict. Having no money, Jessica is trying to sell her Nana's house and move away to find work to support her children. So now Jessica is trying to care for her children by herself. Jessica's Nana took care of the two kids while their mother was sick and in recovery at rehab, but Nana recently died. Great work by the Daily Wire & I'm excited to see what they bring us in the future (Terror on the Prarie on June 9th in particular!) I definitely recommend that you watch the movie if you have the chance. but here Lucianna VanDette is so comfortable and natural with her acting (and props to the director in this regard) that you really buy in - you aren't watching an act - you're watching a mother and daughter. With many kid actors you can tell they are exactly that. Really surprised by the acting chops of Rainey Qualle and also pleasantly surprised that they got a really good child actress to who played the daughter in this film. While I did feel, at times, that the pacing of this movie was less than ideal - the acting was superb across the board. I will say that I'm not a huge fan of the movies where the majority of the action takes place "in one room" or "in a car" - those movies never really appeal to me and tend to feel like they quickly lose steam and drag on. Super stressful but had a very satisfying conclusion. I was anxious and on edge throughout the film - a mother locked in a pantry unable to protect her children from the predator on the other side of the door. I'll be honest, with the subject matter - it was tough to watch. This was a solid movie and had a great message. Still, I'm impressed that The Daily Wire made something apolitical and competently helmed. It goes from gritty thriller to corny fairytale ending and it was kind of laughable. The ending also leaves something to be desired. Whenever the film focused on this, the dialogue was very forced. But the script also tries to give her a redemption arc, and these are unfortunately the parts that came across as really cheesy to me. The script gives Jessica just enough to do and just enough to say so that we can really understand her as a character and get to know her goals and her thought process. The perspective is constantly shifting, and it makes this location feel bigger and this story feel more eventful than they are on paper. About 50-60% of this film takes place in a pantry, with the rest happening in the surrounding single house, yet it never feels like Caruso uses the same camera angle twice. I was actually very impressed with DJ Caruso's cinematography and how he was able to make great use of the very small location.
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